I think in some way DP’s (Directors of Photography) have it easier than sound recordists although I know all my DP friends are shaking their heads right now. But consider this – if you don’t like what’s in the frame, you can just move the camera or come in tighter – problem solved. Unfortunately there is no such thing as a zoom microphone. You still hear what’s not in the frame. Even though bad sound can ruin a move MORE than bad video, no one really notices or appreciates good sound. They only comment when there is a problem. So why do it? That is a great question. Here’s why I love production audio:
- It’s an art – you have to be an artist.
- It’s challenging, every set has different issues.
- Audio equipment doesn’t become obsolete every three years.
- You are right in the action with the director, the camera operator and the actors.
- Good sound can make or break a movie and good directors and producers know this.
The other thing about audio I love is it is often a one-person job. Although you are part of a collaborative production unit, on a small production or indy film, a single skilled person can boom and mix at the same time. You have great responsibility for your work, since there is no one else to blame which I find very rewarding. You have to be good to survive.